Buying an erhu can be a daunting task if you do not know much about the instrument. Heck, it can also be daunting even if you have been playing for quite a while.
There are so many variables on the erhu that affect the erhu in various ways and the price.
There is the wood, the workmanship, the snakeskin, the shape of the resonator and where the maker hails from.
In this series of blogposts, I will try to provide you with as much and digestible information, to help you decide on which erhu to choose, whether you are a beginner, intermediate or advanced player.
Information given are to the best of our knowledge and experience. Opinions if subjective will be indicated.
Erhu references, of course, will be made to the erhus that we sell at our erhu online store.
So where do you start?
The easiest way, though not necessarily the best way for someone to decide, is based on cost/price.
The cheapest Erhu out there in the market can be as low as US$50 and an Indian small leaf sandalwood made by a reputable maker can cost more than US$10,000.
There are 3 factors that affect the price of the Erhu: wood, python skin, maker.
Let’s talk about wood used first.
There are various types of woods used to make Erhus.
The most common would be Rosewood and the rarest and most valuable would be Indian small leaf sandalwood. In addition to those woods, there are Ebony, Violet Sandalwood, Black sandalwood and other uncommon ones.
For each kind of wood, they also vary in quality, where it hails from and also the age of the wood. Usually the older the the wood the better.
Take rosewoods as an example. The cheapest rosewood used is young rosewood and they often come with a bright hue. Whereas the older, or aged, rosewoods, we called them aged rosewoods, can range from US$600 to US$1500 and have a darker hue than young rosewood.
Moving up in price would be the “Ming Qing” rosewoods. The wood was repurposed from furniture made in the “Ming Qing” dynasty and the erhus may cost starting from US$2000.
You may have noticed that part of the resonator / soundbox of the erhu is made from python skin. The skin of the python is specifically selected because it has great elasticity (think python swallowing a cow). Nothing even comes close.
But not all python skins are created equal. Different python skins have different elasticity, even if the skin is from a different portion of the same python.
The better the skin, the higher the price.
When the erhu maker is making an Erhu with a good piece of wood, he will definitely want to pair it with a good piece of snakeskin, so as not to ‘waste’ a good piece of wood, or rather make a great instrument.
A good piece of wood with a good piece of snakeskin would then produce an Erhu with a better tone quality, but also fetch a higher price tag.
There is also the issue of farmed python versus wild python. Wild pythons have the freedom to move around much more compared to the former. Hence, their skin has much better elasticity than farmed pythons, and they are very well sought after.
However, nowadays all erhus are made with skin of farmed pythons. The secret environmentalist in you might be glad to know that the farmed pythons were not specifically farmed for only erhus. Instead, python skins used for erhus are only the byproducts of what they were actually farmed for.
There are more than a thousand different Erhu makers in China.
They sought tutelage from different masters and have varying skill levels in making an Erhu.
Just like chefs, some chefs are better at cooking than others.
In the hands of a skilful and experienced erhu maker, the Erhu would have a better resulting tone using the same type of wood and piece of snakeskin.
Hence, a reputable maker with a good name and track record would demand a premium for their erhus, sort of like brands.
Which tone sounds better is a subjective thing sometimes.
But some erhus really sound better and play better is objective.
There are 3 distinct type of Erhu tones, namely Suzhou, Shanghai and Beijing. Click here to read more about it.
All in all, the price of an erhu is determined by the type of wood used, the quality of snakeskin and who makes it.
Before we go into Erhus by price points, here are 2 additional factors to be aware of when buying an Erhu.
This refers to the sensitivity and responsiveness of the instrument to produce a clean tone.
An instrument with good playability requires less effort to produce a decent sound.
An instrument that is more demanding, or less playability, requires a lot of physical effort and specific adjustments to produce a decent sound.
This is quite an important factor for me. I am more of a leisure player and would like to have an instrument that I can easily play for simple pieces.
This refers to how well / fine the instrument is made.
For Chinese instruments, this is not something you can be picky about. Sad to say, Chinese instruments’ workmanship still has a long way to go if you compare it with our Western counterparts.
It is common to see scratches, a little lopsided baseplate, rough edges, pegs that do not fit perfectly etc. Even from reputable makers.
On the other hand, it can be seen as the makers being more interested in the sound of the instrument than anything else.
But having said that, there are still makers with good workmanship out there who cares about the aesthetics of the erhu.
The easiest way to base your purchase on is the budget you have.
Let me break down the Erhus into different tiers based on their prices. (Reference made according to the erhus on our online store: https://www.easonmusicstore.com)
For a beginner or someone who is just curious to try playing the erhu for the first time, there is always this urge to buy the cheapest Erhu they can find.
There are a lot of places on the internet selling US$50 Erhus but I wouldn’t touch them even it’s for free.
These erhus are usually made with poor materials and likely produces scratchy and harsh tones that no amount of accessory upgrades will ever help.
If you are someone wanting to try the Erhu for a first time, not knowing where you would go, I understand that you don’t want to risk spending too much money on something brand new.
But you also would not want to buy something that sounds bad and neither do you want to be in the position where you sound bad and doubt if it’s you or the instrument.
Erhus in this category represents the minimum quality you need to start with on your Erhu journey.
The Erhus here though cheap, sounds decent to good and is guaranteed to work.
The ones on the higher end of the scale can pack a punch also.
The cheapest Erhu that we have is young rosewood Erhu by a maker in Tianjin called Liu Ji Feng (LJF).
This Erhu feels lightweight but sounds and plays decently.
This is the least you need to know that you can always practice more to sound good, rather than it being the instrument that sounds bad.
We also have our best selling Erhu here – the Shanghai Rosewood Erhu by Shanghai Dunhuang.
This was our most popular model before the young rosewood Erhu by LJF came along.
It has a pleasant, sweet and warm tone and has good playability.
Compared to the young rosewood erhu, the tone has slightly more body and richness.
The workmanship is also pretty good.
LJF also has a better Erhu model that is made from black rosewood.
This Erhu is very responsive and easy to play.
The tone, albeit slightly thin, is mellow and warm.
Definitely better than its predecessor.
The last in this category is another by Shanghai Dunhuang.
It is made from red sandalwood, one of the cheapest sandalwood used to make starter Erhus.
In the looks department, it looks very much like the rosewood version.
The tone however is richer and more articulate than the rosewood version.
In this category you have people who are serious about the instrument.
You can be a beginner but you love the instrument so much and are determined to mount up for a serious challenge. For that, you will need to be equipped with a high quality weapon and the Erhus in this category are what you would be looking at.
Either that or you are an intermediate player who is looking for an upgrade to something that is good enough for recordings and solo performance
The Erhus in Tier A are mainly made from Violet Sandalwood, Black Sandalwood and Aged Rosewood
Not only are they richer tone, they have an added complexity to the tone.
One of these should last you for a long time, till you decide that you want another different kind of tone.
Hu Han Rou (HHR) is one great Shanghai Erhu maker and this is her entry level Erhu made from black sandalwood.
Her Erhus are best described, as part of her name suggests (柔, róu, meaning gentle), feminine and cultured, as opposed to brash and loud.
Her Erhus also have this lush and grainy tone undertone.
This particular Erhu has all of those qualities in addition to sounding warm and mellow.
A better quality aged rosewood Erhu by Yu Kai Ming compared to the one in Tier B.
Sweet and resonant with a stronger and more robust tone.
As with all Yu Kai Ming Erhus, this very responsive and easy to play on.
Wan Qi Xing (WQX) Erhus, among all erhus, have been around for the longest time.
We grew up playing his aged rosewoods a lot so it is quite a nostalgic name for us.
Production has been taken over by his sons and employed workers (because he’s pretty old), but the quality is still there.
It is articulate, bright and warm, with the distinct sweet Suzhou tone.
This is an aged rosewood erhu from Shanghai Dunhuang.
Like the Ivory Coast sandalwood Erhu from Shanghai Erhu, this erhu is clean and rich with an added sweetness to the tone.
It is also very responsive and easy to play on.
This is made of better quality aged rosewood and snakeskin compared to his other aged rosewood Erhu.
It is sweet, articulate, not as brash, and has a relatively more rounded tone.
The tone sounds deeper and stronger as well.
The best selling Erhu from Hu Han Rou.
Using quality aged rosewood, the tone is sweet, articulate, luscious and well rounded.
Along with that signature feminine voice.
The Erhus in the Tier S are a cut above the rest.
They are louder, more articulate, richer and their tones have more underlying complexities.
They also have a high volume threshold, which means you can play very loud without the sound breaking.
They are made using the best of materials and the snakeskin is usually thicker and tighter.
These Erhus need more time to run-in and have the potential to sound so much better than when they are new.
You can be a beginner who want a really good instrument, but you will need some hard playing to get the instrument to its full potential.
Or you can be an intermediate to advanced player looking to upgrade your instrument to something that you will not need to upgrade again in the foreseeable future.
Seasoned violin or cello players can consider these, since your ears are conditioned to fine instruments.
This is an Erhu by Shanghai maker Hu Han Rou.
Its tone is sweet, rich, clean and very well rounded.
Loud but not brash, penetrative yet not jarring.
This is a Suzhou Erhu by maker Xu Chun Feng (XCF).
Made with Ming QIng aged rosewood, the tone is very clean and one of the few Erhus with really clean and strong high registers.
Has that typical warm and sweet Suzhou tone.
Also check out its equivalent with a headstock depicting lily ponds here.
This Erhu, crafted by Yu Kai Ming using Ming Qing aged rosewood, has a rich, clean and loud tone.
Compared to his other Erhus the tone is more rounded yet robust and strong.
Comes with a special decorative headstock.
One of the higher end Erhus from Hu Han Rou.
This Erhu, made with Ming Qing aged rosewood, gives a sweet, warm and rich tone.
Very resonant and projects it’s notes very well.
Indian small leaf sandalwood is the most prized wood used to make Erhus, the rarest of the rare.
The sound of this Erhu, by Xu Chun Feng, attests to why this is so.
The tone produced is smooth, extremely creamy and rich, with different layers of colourful overtones.
It clearly sounds more exquisite compared to the other Erhus listed above.
So there you have it! These are our humble recommendations of our Erhus if you are considering to get one.
If you need more help in choosing the perfect Erhu for yourself, feel free to drop us an email at [email protected]. We will be glad to give you our honest opinion as well as show you more sound or video demos.
Check out our full selection of Erhus here.
For people who want to invest a little more in a better instrument, this category consists of mid range Erhus with woods like Ebony, Black Sandalwood and Aged Rosewood.
Compared the Erhus in Tier C, they have a richer sound and better articulation.
Ebony wood instruments are usually mellow, warm and most importantly not so bright, which is something that appeals to the Western audience.
Aged rosewoods are sweet, warm and bright. They have good articulation and the harshness / brightness will taper off after it seasons.
Black Sandalwood are heavy and dense woods, with a tone that is sort of an ‘in between’ the Ebony and Aged rosewood.
This is the lowest priced Erhu made from black sandalwood by Zhejiang Maker Yu Kai Ming (YKM), whom we have worked closely together for quote some time.
It is articulate, bright and responsive.
It has a thinner sound than more expensive Erhus but it does not seem as thin when you play it, only when you compare it.
One of the models from Shanghai Dunhuang that comes with bronze tuners for easy tuner or friction tuners like all others.
Made using ebony wood, it is clean, clear and responsive, hence it is very easy to handle and easy on the ears.
Not a penetrative tone but more of an area effect.
One of our best sellers from Yu Kai Ming.
An affordable aged rosewood Erhu that is bright, articulate and sweet.
It has a richer tone compared to the Erhus listed above and is very responsive.
It is relatively loud, borderline on a little brash when its new and not run in or seasoned.
This is a violet sandalwood Erhu from Shanghai Dunhuang.
It is sweet, clean and rich, and very responsive to touch.
We find this a very versatile instrument that can play all genres of tunes.
In this category you have people who are serious about the instrument.
You can be a beginner but you love the instrument so much and are determined to mount up for a serious challenge. For that, you will need to be equipped with a high quality weapon and the Erhus in this category are what you would be looking at.
Either that or you are an intermediate player who is looking for an upgrade to something that is good enough for recordings and solo performance
The Erhus in Tier A are mainly made from Violet Sandalwood, Black Sandalwood and Aged Rosewood
Not only are they richer tone, they have an added complexity to the tone.
One of these should last you for a long time, till you decide that you want another different kind of tone.
Hu Han Rou (HHR) is one great Shanghai Erhu maker and this is her entry level Erhu made from black sandalwood.
Her Erhus are best described, as part of her name suggests (柔, róu, meaning gentle), feminine and cultured, as opposed to brash and loud.
Her Erhus also have this lush and grainy tone undertone.
This particular Erhu has all of those qualities in addition to sounding warm and mellow.
A better quality aged rosewood Erhu by Yu Kai Ming compared to the one in Tier B.
Sweet and resonant with a stronger and more robust tone.
As with all Yu Kai Ming Erhus, this very responsive and easy to play on.
Wan Qi Xing (WQX) Erhus, among all erhus, have been around for the longest time.
We grew up playing his aged rosewoods a lot so it is quite a nostalgic name for us.
Production has been taken over by his sons and employed workers (because he’s pretty old), but the quality is still there.
It is articulate, bright and warm, with the distinct sweet Suzhou tone.
This is an aged rosewood erhu from Shanghai Dunhuang.
Like the Ivory Coast sandalwood Erhu from Shanghai Erhu, this erhu is clean and rich with an added sweetness to the tone.
It is also very responsive and easy to play on.
This is made of better quality aged rosewood and snakeskin compared to his other aged rosewood Erhu.
It is sweet, articulate, not as brash, and has a relatively more rounded tone.
The tone sounds deeper and stronger as well.
The best selling Erhu from Hu Han Rou.
Using quality aged rosewood, the tone is sweet, articulate, luscious and well rounded.
Along with that signature feminine voice.
The Erhus in the Tier S are a cut above the rest.
They are louder, more articulate, richer and their tones have more underlying complexities.
They also have a high volume threshold, which means you can play very loud without the sound breaking.
They are made using the best of materials and the snakeskin is usually thicker and tighter.
These Erhus need more time to run-in and have the potential to sound so much better than when they are new.
You can be a beginner who want a really good instrument, but you will need some hard playing to get the instrument to its full potential.
Or you can be an intermediate to advanced player looking to upgrade your instrument to something that you will not need to upgrade again in the foreseeable future.
Seasoned violin or cello players can consider these, since your ears are conditioned to fine instruments.
This is an Erhu by Shanghai maker Hu Han Rou.
Its tone is sweet, rich, clean and very well rounded.
Loud but not brash, penetrative yet not jarring.
This is a Suzhou Erhu by maker Xu Chun Feng (XCF).
Made with Ming QIng aged rosewood, the tone is very clean and one of the few Erhus with really clean and strong high registers.
Has that typical warm and sweet Suzhou tone.
Also check out its equivalent with a headstock depicting lily ponds here.
This Erhu, crafted by Yu Kai Ming using Ming Qing aged rosewood, has a rich, clean and loud tone.
Compared to his other Erhus the tone is more rounded yet robust and strong.
Comes with a special decorative headstock.
One of the higher end Erhus from Hu Han Rou.
This Erhu, made with Ming Qing aged rosewood, gives a sweet, warm and rich tone.
Very resonant and projects it’s notes very well.
Indian small leaf sandalwood is the most prized wood used to make Erhus, the rarest of the rare.
The sound of this Erhu, by Xu Chun Feng, attests to why this is so.
The tone produced is smooth, extremely creamy and rich, with different layers of colourful overtones.
It clearly sounds more exquisite compared to the other Erhus listed above.
So there you have it! These are our humble recommendations of our Erhus if you are considering to get one.
If you need more help in choosing the perfect Erhu for yourself, feel free to drop us an email at [email protected]. We will be glad to give you our honest opinion as well as show you more sound or video demos.
Check out our full selection of Erhus here.
For people who want to invest a little more in a better instrument, this category consists of mid range Erhus with woods like Ebony, Black Sandalwood and Aged Rosewood.
Compared the Erhus in Tier C, they have a richer sound and better articulation.
Ebony wood instruments are usually mellow, warm and most importantly not so bright, which is something that appeals to the Western audience.
Aged rosewoods are sweet, warm and bright. They have good articulation and the harshness / brightness will taper off after it seasons.
Black Sandalwood are heavy and dense woods, with a tone that is sort of an ‘in between’ the Ebony and Aged rosewood.
This is the lowest priced Erhu made from black sandalwood by Zhejiang Maker Yu Kai Ming (YKM), whom we have worked closely together for quote some time.
It is articulate, bright and responsive.
It has a thinner sound than more expensive Erhus but it does not seem as thin when you play it, only when you compare it.
One of the models from Shanghai Dunhuang that comes with bronze tuners for easy tuner or friction tuners like all others.
Made using ebony wood, it is clean, clear and responsive, hence it is very easy to handle and easy on the ears.
Not a penetrative tone but more of an area effect.
One of our best sellers from Yu Kai Ming.
An affordable aged rosewood Erhu that is bright, articulate and sweet.
It has a richer tone compared to the Erhus listed above and is very responsive.
It is relatively loud, borderline on a little brash when its new and not run in or seasoned.
This is a violet sandalwood Erhu from Shanghai Dunhuang.
It is sweet, clean and rich, and very responsive to touch.
We find this a very versatile instrument that can play all genres of tunes.
In this category you have people who are serious about the instrument.
You can be a beginner but you love the instrument so much and are determined to mount up for a serious challenge. For that, you will need to be equipped with a high quality weapon and the Erhus in this category are what you would be looking at.
Either that or you are an intermediate player who is looking for an upgrade to something that is good enough for recordings and solo performance
The Erhus in Tier A are mainly made from Violet Sandalwood, Black Sandalwood and Aged Rosewood
Not only are they richer tone, they have an added complexity to the tone.
One of these should last you for a long time, till you decide that you want another different kind of tone.
Hu Han Rou (HHR) is one great Shanghai Erhu maker and this is her entry level Erhu made from black sandalwood.
Her Erhus are best described, as part of her name suggests (柔, róu, meaning gentle), feminine and cultured, as opposed to brash and loud.
Her Erhus also have this lush and grainy tone undertone.
This particular Erhu has all of those qualities in addition to sounding warm and mellow.
A better quality aged rosewood Erhu by Yu Kai Ming compared to the one in Tier B.
Sweet and resonant with a stronger and more robust tone.
As with all Yu Kai Ming Erhus, this very responsive and easy to play on.
Wan Qi Xing (WQX) Erhus, among all erhus, have been around for the longest time.
We grew up playing his aged rosewoods a lot so it is quite a nostalgic name for us.
Production has been taken over by his sons and employed workers (because he’s pretty old), but the quality is still there.
It is articulate, bright and warm, with the distinct sweet Suzhou tone.
This is an aged rosewood erhu from Shanghai Dunhuang.
Like the Ivory Coast sandalwood Erhu from Shanghai Erhu, this erhu is clean and rich with an added sweetness to the tone.
It is also very responsive and easy to play on.
This is made of better quality aged rosewood and snakeskin compared to his other aged rosewood Erhu.
It is sweet, articulate, not as brash, and has a relatively more rounded tone.
The tone sounds deeper and stronger as well.
The best selling Erhu from Hu Han Rou.
Using quality aged rosewood, the tone is sweet, articulate, luscious and well rounded.
Along with that signature feminine voice.
The Erhus in the Tier S are a cut above the rest.
They are louder, more articulate, richer and their tones have more underlying complexities.
They also have a high volume threshold, which means you can play very loud without the sound breaking.
They are made using the best of materials and the snakeskin is usually thicker and tighter.
These Erhus need more time to run-in and have the potential to sound so much better than when they are new.
You can be a beginner who want a really good instrument, but you will need some hard playing to get the instrument to its full potential.
Or you can be an intermediate to advanced player looking to upgrade your instrument to something that you will not need to upgrade again in the foreseeable future.
Seasoned violin or cello players can consider these, since your ears are conditioned to fine instruments.
This is an Erhu by Shanghai maker Hu Han Rou.
Its tone is sweet, rich, clean and very well rounded.
Loud but not brash, penetrative yet not jarring.
This is a Suzhou Erhu by maker Xu Chun Feng (XCF).
Made with Ming QIng aged rosewood, the tone is very clean and one of the few Erhus with really clean and strong high registers.
Has that typical warm and sweet Suzhou tone.
Also check out its equivalent with a headstock depicting lily ponds here.
This Erhu, crafted by Yu Kai Ming using Ming Qing aged rosewood, has a rich, clean and loud tone.
Compared to his other Erhus the tone is more rounded yet robust and strong.
Comes with a special decorative headstock.
One of the higher end Erhus from Hu Han Rou.
This Erhu, made with Ming Qing aged rosewood, gives a sweet, warm and rich tone.
Very resonant and projects it’s notes very well.
Indian small leaf sandalwood is the most prized wood used to make Erhus, the rarest of the rare.
The sound of this Erhu, by Xu Chun Feng, attests to why this is so.
The tone produced is smooth, extremely creamy and rich, with different layers of colourful overtones.
It clearly sounds more exquisite compared to the other Erhus listed above.
So there you have it! These are our humble recommendations of our Erhus if you are considering to get one.
If you need more help in choosing the perfect Erhu for yourself, feel free to drop us an email at [email protected]. We will be glad to give you our honest opinion as well as show you more sound or video demos.
1 Comment
Hi, I just bought a Erhu (very old ) with a bow and a what looks like a pick all blacjk with a raw hide cover rhe round part. . Good condition . What else do I need to look for? Thank you for your time. Bea Forsythe 719-630-8087